Showing posts with label folk dance and folk theatre. Show all posts
Showing posts with label folk dance and folk theatre. Show all posts

Wednesday, 2 May 2012

Bandh demanding basic amenities disrupts normal life in Malkangiri

BERHAMPUR: Day to day life was completely disrupted in Malkangiri town and some parts of South Odisha on Tuesday due to a bandh call given by the ‘Malkangiri Zilla Surakshya Samity (MZSS)'. They had given this call for five demands and apathy of administrative officials towards these demands. President of MZSS, G.Srinivas Rao said they would hold a meeting on Tuesday night to decide about their next course of action.
This bandh call in Malkangiri town had its impact throughout Malkangiri district. No vehicles travelled between the district headquarters town and other places of the district. Trips of passenger buses from all parts of Malkangiri district to outside were also cancelled as they had to pass through Malkangiri town.
The bandh call was complete in Malkangiri town. All government and private establishments remained closed. Educational institutions and banks were also closed. Protestors picketed and blocked road at several points at Malkangiri town. This bandh call had the support of all organisations of Malkangiri town including the Committee of Concerned Citizens (CCC), local bar association, traders' association and political leaders, said Mr. Rao.
Members of MZSS also demonstrated in front of the office of the Malkangiri Collector on Monday for these five demands. Mr. Rao said they opted for the bandh call as the Collector did not show concern regarding their demands to hold discussions with them about their demands.
The demands are mostly related to basic amenities. They allege that most roads in Malkangiri town are in extreme dilapidated condition and need renovation. They also want end of continuing undeclared power cuts in their area. They alleged that piped drinking water supply system was yet to be streamlined in Malkangiri town and they demanded proper supply of drinking water in their area. The agitators also demanded speedy completion of renovation and widening work of Malkangiri-Kalimela road which according to them is being delayed by the construction company that has taken the contract.
The most important demand of the agitators is related to the settlement of land records of all rural and urban pockets of the district. Source: The Hindu

Saturday, 7 April 2012

Month long Chaitra Jatra ends at Tara Tarini Hill Shrine


With the chanting of the holy names of Maa Tara Tarini, recitation of hymns, Mantras and Jagna on the Fourth Tuesday, the month long Chaitra Jatra came to an end at the famous Tara Tarini Hill Shrine near Berhampur in Odisha. Considered as one of the biggest religious fairs in India, the Chaitra Jatra at this hill shrine has centuries old history behind it. It is noteworthy that of the 4 Adi Shakti Peethas and other major Shakti Peethas in India, it is only in the Tara Tarini Peetha, considered as the Sthana Pith (Breast Shrine) of Adi Shakti that the Chaitra Jatra is held over the entire month of Chaitra whereas in most other shrines it is held for just one day or the Nine days coinciding with Navratra culminating on Ram Navami.
On the last Tuesday, following the age-old traditions, the Sevakas opened the sanctum sanctorum of the temple past the midnight on Monday. After Snana (the divine bath), Majana and Maha Arati the Amruta Kalasha or the first Bhoga was offered to the goddesses at around 3.55 a.m in the morning. Then the goddesses went for a Parikrama of the temple. After the completion of the Parikrama, large number of devotees who gathered on the hilltop to take the first glimpse of Maa were allowed for Darshan. The Darshan continued non-stop till the late evening of Tuesday.
Like other Tuesdays of this month, around two to three lakh devotees gathered on the fourth and last Tuesday of Chaitra month in the Shrine. The large gathering of devotees and their prayers filled with emotion and enthusiasm surcharged the atmosphere of the ancient Shrine.
Around one thousand barbers were engaged in tonsuring the heads of around five thousand newborn babies on this occasion.
As per traditional beliefs devotees preferred to climb the 999 holy steps to reach the hill top though transportation facilities to the hill top by Arial Rope way and special Buses were made available. They climbed 999 steps as a penance to get the blessing of the deities.
As per initial reports, so far around 20 lakh people have visited the shrine for Darshan during the month, including the four Tuesdays. People from far off places like North and South India and from the neighbouring states like Andhra Pradesh, Jharkhand, West Bengal, Assam, Chhattisgarh, many Sadhakas from the Tara Pith and other famous Shakti Shrines of India, many Buddhists and Hindu researchers from Nepal and many people from abroad were present during the Chaitra Mela.
A unique feature of this Shrine is that large number of people flocked to the Shrine from various nearby villages in their bullock carts along with their kith and kin. There were also large number of people seen feasting all across the Shrine as a thanksgiving gesture to the Goddesses. The fair comprising rural artisans had large number of buyers and onlookers. Many devotees who could not take the pain of reaching the hilltop made it a point to worship the sacred Ratnagiri Mountain (Tarini Parvat) from a distance.
It may be noted that over the years the number of visitors to this hill shrine have been growing steadily during this Chaitra festivals. As a result, large number of visitors and mainly the elderly persons who find it difficult to reach the hilltop by taking the overcrowded steps and special buses generally prefer the aerial Ropeway to the hill top which is first of its kind in Eastern India. But, the capacity of the existing aerial ropeway is limited. So, sensing the need to accommodate the ever increasing number of devotees, the Tara Tarini Development Board (TTDB) has decided to raise the capacity and frequency of Aerial rope-way service in collaboration with ‘USHA Pvt. Ltd’ a reputed Rope Way service provider in the country. It is expected that by this time next year the carrying capacity of the Aerial rope Way will increase many folds.
On the occasion of the last Tuesday the District administration, Temple administration and Development Board made wide range arrangements like drinking water, Prasad, Transportation, Primary health care facility, traffic control, and police deployment for peaceful Darshan of the devotees. The office bearers, volunteers of the TTDB, different NGOs, voluntary organizations, media houses, corporate houses and local residents extended their helping hand through out the month to the devotees who came from various parts of the country.

Saturday, 13 March 2010

Mahuri on the verge of extinction

BERHAMPUR: Lack of patronage due to advent of urbanisation has started to threaten the existence of ‘Mahuri', a traditional musical instrument of Orissa. This wind instrument also happens to be an integral part of different folk dance and folk theatre forms like Prahlad Natak, Jodi Sankha, Ranapa, Ram Natak, Chadheya etc. The number of troupes of these folk art forms has also reduced during recent times. The Ram Natak folk theatre form has almost died. Reduction of these folk dance and folk theatre form has also led to reduction in the number of Mahuri players.
But the existing ‘Mahuri' players are worried about lack of use of this instrument during auspicious occasions like marriages, vrata ceremony, puja etc. ‘Mahuri' is also known as ‘Mukhaveena' and traditionally is considered ‘Mangal Vadya' or auspicious musical instrument, said Bighneswar Sahu, the adviser of the famous Narendrapur Kala Vikash Kendra, which continues to keep alive various traditional folk art forms of south Orissa.
According to Mr. Sahu, the ‘Mahuri' players are mostly Dalits. As the income from playing ‘Mahuri' has gone down, the new generation of the ‘Mahuri' artists is no more interested to learn this traditional instrument. A senior ‘Mahuri' artist of the State S.Linga from Raghunathpur said only his son is learning to play this wind instrument while the sons of his other brothers have not taken up playing ‘Mahuri' as a profession.
But traditionally they were a family of ‘Mahuri' players. Mr. Linga said it has become hard to earn a living from ‘Mahuri' playing.
In this era of electronic instruments, the urbanites as well as urbanised rural families have started to forget that ‘Mahuri' was part and parcel of any auspicious occasion in a family, said Mr. Sahu. Few decades back ‘Mahuri' was a dire need during auspicious occasions but a section of new generation has started to feel ashamed for the use of this instrument during family functions like marriage.
Source: The Hindu